oct 18-20
Venue: Overture Hall
Friday, Oct. 18, 2024
7:30 p.m.
Saturday, Oct. 19, 2024
7:30 p.m.
Sunday, Oct. 20, 2024
2:30 p.m.
The first of several guest conductors appearing with us this season is Nicholas Hersh. In his words, “The music on this program is immensely evocative, and it’s all about the relationship of the human and the supernatural.” Join us for the MSO premiere of This Midnight Hour by British Composer Anna Clyne, a piece based on poetry by Charles Baudelaire and Juan Ramón Jiménez that is sure to evoke a visual journey for the listener. Violinist Kelly Hall-Tompkins returns to perform two works, beginning with the gentle The Lark Ascending by Ralph Vaughan Williams, based upon a poem by George Meredith. She then plays Tzigane, Maurice Ravel’s virtuosic take on Roma fiddling. This program finishes with the monumental Symphonie fantastique by Hector Berlioz, a passionate and musical vision.
Nicholas Hersh, Guest Conductor
Kelly Hall-Tompkins, Violin
Anna Clyne, This Midnight Hour*
Ralph Vaughan Williams, The Lark Ascending
Maurice Ravel, Tzigane
Hector Berlioz, Symphonie fantastique, Op. 14
*MSO Premiere
Prelude Discussion
Enjoy a 30-minute conversation with guest conductor Nicholas Hersh and MSO Executive Director Robert A. Reed starting one hour before each concert in Overture Hall. Free to ticket-holders.
Take Note: Drinks Allowed in Overture Hall
As of this season, drinks are allowed inside Overture Hall during all Madison Symphony Orchestra concerts. Refreshments may be purchased at bars and concession stands located around the Overture Hall lobby before each concert and during intermission. Please enjoy food in the lobby and unwrap any candy or cough drops before the performance begins. Thank you!
I can’t wait to embark on this journey between worlds with the wonderful musicians of the Madison Symphony Orchestra! – Nicolas Hersh
Kelly Hall-Tompkins plays … with a tonal mastery, a technical command, and a strength of personality… – BBC Magazine
She was an incredible communicator, expressing musical lines with an honesty and clarity that couldn’t help but be responded to in both the audience and the orchestra. – The Guardian
Marvin J. Levy
American conductor Nicholas Hersh has earned critical acclaim for his innovative programming and natural ability to connect with musicians and audiences alike.
In the 2022-2023 season, Hersh debuts with the Utah, Colorado and Modesto symphonies, and The Florida Orchestra, and returns to the Baltimore, Houston and New Jersey symphony orchestras, and Rochester Philharmonic. Highlights of the prior season include engagements with the National (D.C.), Detroit, Grand Rapids, Portland (ME), and Tucson symphony orchestras, Louisiana Philharmonic, Sarasota Orchestra, and symphonies of Richmond and Winston-Salem, and Peabody Opera. Other recent conducting appearances include the Phoenix Symphony, North Carolina Symphony, and New World Symphony.
Over a remarkable tenure as Associate Conductor of the Baltimore Symphony Orchestra, Hersh created the BSO Pulse series, through which he brought together indie bands and orchestral musicians in unique collaborations; he led the BSO in several subscription weeks, and concerts in and around Baltimore; and he directed the BSO’s educational and family programming, including the celebrated Academy for adult amateur musicians. During the COVID-19 pandemic, Hersh developed and conducted the BSO’s new digital concert series, BSO Sessions. Mixing performance with documentary-style interviews, Hersh introduced the BSO and online audiences to a wide variety of new repertoire, including numerous living composers as well as seldom-performed historical composers. “His commitment to performing works by composers of color,” described BSO leadership, “will continue to inform the BSO’s programming long into the future.”
Hersh also maintains a close relationship with the National Symphony Orchestra, leading concerts throughout Washington, D.C. He stepped in to replace an indisposed Yan Pascal Tortelier, on subscription, to great acclaim.
Hersh is frequently in demand as an arranger and orchestrator, with commissions from orchestras around the globe for adaptations of everything from classical solo and chamber music to popular songs. His orchestration of Beethoven’s Cello Sonata Op. 69 was premiered by the Philharmonie Zuidnederland in January 2022, while his symphonic arrangement of Queen’s Bohemian Rhapsody continues to see worldwide success as a viral YouTube hit. He also serves as arranger and editor for the James P. Johnson Orchestra Edition.
An avid educator, Hersh has embraced the Young Persons Concert format as a crucial method for orchestras to serve their communities. From 2016-2020, he served as Artistic Director of the Baltimore Symphony Youth Orchestras, and he continues to be a frequent collaborator and guest faculty at the Peabody Institute of Johns Hopkins University.
Hersh grew up in Evanston, Illinois and started his musical training as a cellist. He earned a Bachelor’s Degree in Music from Stanford University and a Master’s Degree in Conducting from the Indiana University Jacobs School of Music, studying with David Effron and Arthur Fagen. In 2011 and 2012, he was a Conducting Fellow with the prestigious American Academy of Conducting at Aspen, studying with mentors Robert Spano, Hugh Wolff, and Larry Rachleff, and has participated in masterclasses with Bernard Haitink and Michael Tilson Thomas. Hersh is also a two-time recipient of the Solti Foundation Career Assistance Award.
Nicholas lives in Philadelphia with his wife Caitlin and their two cats, and in his free time enjoys baking (and eating) sourdough bread.
Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy.
For thirteen months on Broadway, Ms. Hall-Tompkins was the “Fiddler,” violin soloist, for the Bartlett Sher production of “Fiddler on the Roof,” with numerous solos written especially for her. The New York Times hailed her in a feature article as holding the title role, together with dancer Jesse Kovarsky. Featured as soloist in over 400 Broadway performances, plus a Grammy-nominated cast album alongside a bonus track by Itzhak Perlman, Ms. Hall-Tompkins has been the featured subject on NBC’s Today Show with Harry Smith, NBC 4 New York with Janice Huff, NBC 4 at 5, Playbill.com, BroadwayWorld.com, WWFM radio Princeton and Strings Magazine among numerous other major press outlets for her role in Fiddler. Kelly Hall-Tompkins interviews and Kiev performances are also featured in the new documentary on the 50-year history of Fiddler on the Roof, “Fiddler: A Miracle of Miracles.” A significant collaborating partner with violinist/composer Mark O’Connor for five years, Ms. Hall-Tompkins performed his Double Violin Concerto with O’Connor in concerts across the United States. As a passionate chamber musician, Ms. Hall-Tompkins was first violinist of the O’Connor String Quartet, which performed concerts nationally, including Tanglewood, Santa Fe Chamber Music Festival and Lincoln Center’s Great Performer’s Circle, and a member of the Florida-based Ritz Chamber Players, including concerts in residence at Jacksonville’s Times Union Center for the Performing Arts, the Ravinia Festival’s “Rising Stars Series,” New York at Lincoln Center’s Allen Room, and include an upcoming appearance on the Philadelphia Chamber Music Society series. Ms. Hall-Tompkins will perform on Bruce Adolphe’s Off the Hook Festival and has performed at the Garth Newel Music Center, Chamber Music South Dakota, New York City’s Bargemusic, live on WNYC’s “Soundcheck”, at Miami’s Deering Estate Series and for the Raleigh Chamber Music Guild.
Additional performance highlights include as soloist in the 2018 Joyce Theater Ballet Festival with principal dancers of the New York City Ballet, 2016 at the US Supreme Court, and in 2007 Benefit for the Victims of Darfur at Carnegie Hall. Ms. Hall-Tompkins was invited by actress Mia Farrow and conductor George Matthew to perform as soloist before an orchestra comprised of musicians from every major orchestra in the world. In 2002 Hall-Tompkins commissioned a new work for violin and percussion from the German composer Siegfried Matthus, which was premiered at Michigan’s Pine Mountain Music Festival and gave in 2016 with the Oakland East Bay Symphony the US Premiere of Professor Matthus’s newest Violin Concerto. Ms. Hall-Tompkins’ performances have been broadcast nationally as co-host of NPR’s Performance Today, in New York by WQXR, by Chicago’s WFMT and live on the BBC.
Ms. Hall-Tompkins’ newest recording project is The Fiddler: Expanding Tradition, featuring for the first time ever a full album of newly commissioned and original Fiddler-inspired works. The full recording was released on Broadway Records in 2018 and acclaimed as “Vital, life-enhancing, glorious…mesmerizing…magnificent” in 3 reviews, a feature article and cover spot in Fanfare Magazine; Two pre-release music videos from the project have already garnered nearly 400,000 views on You Tube. This follows the success of her recent Imagination recording, a double video release of the Ysaÿe sonata No. 6 and her own jazz arrangement of “Pure Imagination” from the original film Willy Wonka and the Chocolate Factory. The videos, released online and on Collector’s Edition DVD in early 2014, now enjoy over 1,000,000 You Tube views, were featured in Strings Magazine and hailed as “ground-breaking…sumptuous… a potent package” and by Chamber Music America in a public presentation on creating music videos. She released her debut CD recording in 2002, featuring the Kodaly duo, Brahms D minor Sonata and the Ravel Tzigane. Ms. Hall-Tompkins released her second CD, entitled In My Own Voice, in 2008, featuring music by Kreisler, Saint-Saëns, William Grant, and David Baker. The album was praised by Fanfare for its “opulent intensity,” by The Strad, which described Hall-Tompkins’ “winning way,” noting her “mercurial charms [and] genial touch…impressive,” and is featured in the Smithsonian Museum of African-American History.
Regularly tapped as concertmaster, Ms. Hall-Tompkins’ distinguished orchestral career includes a performance on the BBC Proms leading the Chineke! Orchestra, the 2016 Lincoln Center Benefit for the 10 year Anniversary of “Light in the Piazza,” the Biennial Gateways Music Festival, and a 2016 PBS Live from Lincoln Center Broadcast with Lang Lang. Ms. Hall-Tompkins’ orchestral career also includes extensive touring in the United States and internationally with the Orpheus Chamber Orchestra, including performances in Carnegie Hall, Lincoln Center, Japan, Singapore, Scotland and a recording with countertenor Andreas Scholl. She also performed over 150 performances with the New York Philharmonic, under conductors including Kurt Masur, Leonard Slatkin, Andre Previn, Charles Dutoit and Valery Gergiev. Ms. Hall-Tompkins has also lead numerous Carnegie Hall concerts with the New York Pops and as founding member of the Chamber Orchestra of New York, which performed its debut concert in Carnegie’s Zankel Hall in the Fall ’07 with Ms. Hall-Tompkins also as soloist. For 13 seasons, she was a member of the New Jersey Symphony Orchestra’s first violin section.
A dedicated humanitarian and social justice in the arts pioneer, Ms. Hall-Tompkins founded and directs Music Kitchen-Food for the Soul, which has, to date, brought over 100 chamber music performances to an estimated 18,000 homeless shelter clients in New York City, Los Angeles,nationwide and in Paris, France, with nearly 200 artists including Emanuel Ax, Glenn Dicterow, Albrecht Mayer, Jeff Ziegler and Rene Marie. Music Kitchen with present a newly commissioned song cycle Forgotten Voices World Premiere in Association with Carnegie Hall May 21,2020. Kelly and Music Kitchen have been featured on the NBC TODAY Show, in The New York Times, on CBSNews.com and ABCNews.com, plus Strings Magazine, Chamber Music America Magazine, Spirituality and Health Magazine, Columbia University Radio and cable’s Hallmark Channel.
Ms. Hall Tompkins received an Honorary Doctorate from the Manhattan School of Music, her alma mater, in 2016, and also delivered the Commencement address. She is also one of three 2017 recipients of the Sphinx Medal of Excellence, which was presented at the US Supreme Court by Justice Sotomayor. She earned a Master’s degree from the Manhattan School under the mentorship of Glenn Dicterow, concertmaster of the New York Philharmonic. While there, she was concertmaster of both of the school’s orchestras. Prior to that, she earned a Bachelor of Music degree with honors in violin performance with a minor in French from the Eastman School of Music studying with Charles Castleman. While at Eastman she won the school’s prestigious Performer’s Certificate Competition, several scholarship awards from the New York Philharmonic, and was invited to perform chamber music on the school’s Kilbourn Concert Series with members of the faculty.
An avid polyglot, Ms. Hall-Tompkins studies and speaks eight languages. A native of Greenville, South Carolina, where in 2018 she was inducted into the School District Hall of Fame, Ms. Hall-Tompkins began her violin studies at age nine. She lives in New York City with her husband Joe.
Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most in-demand composers today, working with orchestras, choreographers, filmmakers, and visual artists around the world. Clyne was named by Bachtrack as one of the top ten most performed contemporary composers in the world and the most performed living female British composer in both 2022 and 2023.
Clyne has been commissioned and presented by the world’s most dynamic and revered arts institutions, including the Barbican, Carnegie Hall, Kennedy Center, Los Angeles Philharmonic, MoMA, Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney Opera House; and her music has opened such events as the Edinburgh International Festival, The Last Night of the Proms, and the New York Philharmonic’s season.
Clyne often collaborates on creative projects across the music industry, including Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as The Nico Project at the Manchester International Festival, a stage work about pop icon Nico’s life that featured Clyne’s reimagining of The Marble Index for orchestra and voices. Clyne has also reimagined tracks from Thievery Corporation’s The Cosmic Game for the electronica duo with orchestra, and her music has been programmed by such artists as Björk. Other recent collaborators include such notable musicians as Jess Gillam, Jeremy Denk, Martin Fröst, Pekka Kuusisto, and Yo-Yo Ma.
Clyne’s works are frequently choreographed for dance, with recent projects including the world premiere of choreographer Pam Tanowitz’s dance set to Breathing Statues for the Royal Ballet in London and performances of DANCE by the San Francisco Ballet with choreography by Nicolas Blanc. Her fascination with visual art has inspired several projects including ATLAS, inspired by a portfolio of work by Gerhard Richter; Color Field, inspired by the artwork of Mark Rothko; and Abstractions, inspired by five contemporary paintings. In addition, Clyne seeks innovation through new technology, developing the Augmented Orchestra with sound designer Jody Elff; the technology expands the sound-world of the orchestra through computer-controlled processes, and was premiered in Wild Geese at the 2023 Cabrillo Festival.
In 2023-2024, Clyne serves as Composer-in-Residence with the Helsinki Philharmonic Orchestra as part of their Artistic Team; as Composer-in-Residence at the BBC Philharmonic, and as Artist-in-Residence with Symphony Orchestra of Castilla y León. Past residencies include the Baltimore Symphony Orchestra, Chicago Symphony Orchestra, L’Orchestre national d’Île-de-France, Philharmonia Orchestra, Scottish Chamber Orchestra and the Trondheim Symphony Orchestra. Clyne’s music is represented on several labels and her works Prince of Clouds and Night Ferry were nominated for 2015 GRAMMY Awards. Her cello concerto DANCE, recorded by soloist Inbal Segev, the London Philharmonic Orchestra, and Marin Alsop, has garnered 10 million plays on Spotify.
Clyne is deeply committed to music education and to supporting and mentoring the next generation of composers. She has taught master classes and workshops throughout the US and internationally and was the founding mentor for the Orchestra of St Luke’s Degaetano Composition Institute, the Scottish Chamber Orchestra’s New Stories program and the Berkeley Symphony Orchestra’s Emerging Composers Program.
Clyne’s music is published exclusively by Boosey & Hawkes. www.boosey.com/clyne