Fri., May 7, 2021
Sat., May 8, 2021
Sun., May 9, 2021
Haydn, Violin Concerto in G major
Beethoven, Missa solemnis
John DeMain, Conductor
Madison Symphony Chorus, Beverly Taylor, Director
Alexandra LoBianco, Soprano
Briana Hunter, Mezzo-soprano
Rodrick Dixon, Tenor
Kenneth Kellogg, Bass
Read the Program Notes
Program Notes will be available in August.
Enjoy a 30-minute talk starting one hour before each concert in Overture Hall. Free to ticketholders.
Yes, Mozart was his inspiration, but Haydn was Beethoven’s teacher. Concertmaster Naha Greenholtz performs the Violin Concerto in G major. The season closes with a monumental finale, Missa solemnis. A great work from the height of Beethoven’s composing career, the Missa is one of his supreme achievements and one of the most significant Latin Mass settings ever penned.
The muse, the mass, and the money. The sentiments in Beethoven’s Missa solemnis appeal to humankind’s highest aspirations, but Beethoven’s business dealings with it were decidedly earthbound. He sold the work seven times. While haggling with the publisher Simrock, Beethoven not only hung onto the fee he had received but wrote to six other firms promising the Mass to them. When Simrock wanted their money back, Beethoven promised another Mass, but never got around to writing it.
– Norman Gilliland
Get the best seats before single tickets go on sale Saturday, August 15, 2020. New subscribers save up to 50%!
About Naha Greenholtz
Naha Greenholtz is concertmaster of both the Madison Symphony Orchestra and the Quad city Symphony Orchestra. Additional performance highlights include guest concertmaster appearances with the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony, and Memphis Symphony, among many others. She has also held positions with the Milwaukee Symphony Orchestra and the Louisiana Philharmonic Orchestra, joining the latter as Associate Concertmaster. Ms. Greenholtz took over as the concertmaster of the Madison Symphony Orchestra in 2011 at the age of 26.
Greenholtz’s tone matched perfectly with the orchestra. It was pure magic. – Matt Ambrosio, The Cap Times
THANK YOU TO OUR GENEROUS SPONSORS
Major funding provided by
Additional funding provided by