apr 11-13
Venue: Overture Hall
Friday, Apr., 11, 2025
7:30 p.m.
Saturday, Apr., 12, 2025
7:30 p.m.
Sunday, Apr., 13, 2025
2:30 p.m.
Guest conductor Joseph Young gives us an idea of what to anticipate in this exciting concert. “This program is an aural invitation into the ideals of peace, love, and connection that carries forward long after the final notes.” We begin with Samuel Barber’s concise and dramatic Second Essay for Orchestra. Next, the eclectic and genre-bending string trio Time for Three joins our Symphony performing Kevin Puts’ Contact, a Grammy-winning piece written specifically for the group. Intended to premiere in the summer of 2020, Contact took on new meaning as an expression of yearning for human contact during the peak of the pandemic. Maestro Young’s selection of movements from one of the greatest ballet scores of the 20th century, Prokofiev’s Romeo and Juliet, will leave us longing for more.
Joseph Young, Guest Conductor
Time For Three:
Nicolas Kendall, Violin
Charles Yang, Violin
Ranaan Meyer, Double Bass
Samuel Barber, Second Essay
for Orchestra, Op. 17
Kevin Puts, Contact*
Sergei Prokofiev, Selections from
Romeo and Juliet, Op. 64
*MSO Premiere
Prelude Discussion
Enjoy a 30-minute talk with guest conductor Joseph Young starting one hour before each concert in Overture Hall. Free to ticketholders.
Take Note: Drinks Allowed in Overture Hall
As of this season, drinks are allowed inside Overture Hall during all Madison Symphony Orchestra concerts. Refreshments may be purchased at bars and concession stands located around the Overture Hall lobby before each concert and during intermission. Please enjoy food in the lobby and unwrap any candy or cough drops before the performance begins. Thank you!
I so look forward to connecting with the musicians and community of Madison as we share this exciting concert about connection. This is a heart-on-your-sleeves, jaw-on-the-floor kind of program that demands an emotional response. – Joseph Young
Tf3’s boundless energy and electrifying personalities filled the auditorium and moved the normally reserved concert audience to cheers, whistles and thunderous applause. – The Republic
WMTV 15 News
Madison Symphony Orchestra League
University Research Park
Nancy Mohs
Robert Benjamin and John Fields
American conductor Joseph Young is among the most gifted conductors of his generation, balancing his flourishing career as a guest conductor with leadership roles as Music Director of the Berkeley Symphony and Artistic Director of Ensembles at the Peabody Conservatory.
“Joseph Young has had quite a year … impressive,” wrote Washington Classical Review of his 2023 National Symphony Orchestra debut, which capped a year of debuts that included leading Jeanine Tesori’s Blue with Washington National Opera, the LA Phil at the Hollywood Bowl, and NYO2 at Carnegie Hall and on tour in the Dominican Republic, as well as collaborations with composer Du Yun, pianist Lara Downes, artist William Kentridge, bass-baritone Davóne Tines, and icon Debbie Allen.
Joseph is committed to amplifying a range of musical voices — both historical and contemporary — that animate his consistently compelling programs, which have included works by Brian Raphael Nabors, Florence Price, and Carlos Simon, alongside iconic composers such as John Adams, Brahms, Dvořák, and Prokofiev, and many others.
Highlights of previous and upcoming engagements include the San Francisco Symphony, Seattle Symphony, New Jersey Symphony, Milwaukee Symphony, Rochester Philharmonic, Detroit Symphony, Phoenix Symphony, New World Symphony Orchestra, Spoleto Festival Orchestra, Orquestra Sinfónica do Porto Casa da Música (Portugal), the Orquesta Sinfónica y Coro de RTVE (Spain), and the Mzansi National Philharmonic Orchestra (South Africa). In July 2024, he will conduct the Cincinnati Symphony Orchestra in the Cincinnati Opera’s world-premiere staging of the Liverpool Oratorio, Paul McCartney’s acclaimed 1991 work for orchestra, chorus, and soloists.
Earlier in his career, Joseph served as the Assistant Conductor of the Atlanta Symphony under Robert Spano and Music Director of the Atlanta Symphony Youth Orchestra, where he was the driving force behind the ensemble’s artistic growth. He has served as Resident Conductor of the Phoenix Symphony and the League of American Orchestras Conducting Fellow with the Buffalo Philharmonic and Baltimore Symphony Orchestra.
Joseph began his steady ascent in the orchestral world while serving as an educator in South Carolina. Self-guided, self-funded study—and a chance encounter with the influential conductor Michael Morgan—led him to a conducting workshop with Marin Alsop who, recognizing his raw talent, created the BSO–Peabody Conducting Fellowship to facilitate his artistic and professional growth. He has since been mentored by luminaries in the orchestra world, including Jorma Panula, Robert Spano, and Alsop, with whom he maintains a close artistic partnership.
Now a dedicated mentor and role model himself, Joseph shapes the future of classical music through his dynamic performances and programming with major symphony orchestras, his steadfast commitment to teaching in classrooms and concert halls, and his service on the board of New Music USA. He also maintains a working relationship with Carnegie Hall’s Weill Music Institute and its National Youth Orchestra program, where he served as Resident Conductor for NYO2 from 2017 to 2022 prior to his Carnegie Hall debut in 2023.
Joseph is a three-time recipient of a coveted Solti Foundation U.S. Career Assistance Award for young conductors (2008, 2014, 2015). In 2013, he was a semi-finalist in the Gustav Mahler International Conducting Competition in Bamberg, Germany. In 2011, he was one of six conductors featured in the League of American Orchestras’ prestigious Bruno Walter National Conductor Preview.
He holds an Artist’s Diploma in conducting from the Peabody Conservatory, studying with Gustav Meier and Markand Thakar, and a bachelor’s degree in music education from the University of South Carolina. He grew up in Charleston, South Carolina, the eldest son of a banker and a Naval officer, studying the trumpet before picking up a baton.
Grammy and Emmy-winning ensemble, Time For Three (TF3), defies convention and boundaries by showcasing excellence across different genres, including classical music, Americana, and singer-songwriter. Their unique sound captivates audiences, immersing them in a musical experience that merges various eras, styles, and traditions of Western music. TF3, consisting of Charles Yang (violin, vocals), Nicolas “Nick” Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), combines their instruments and voices in a remarkable sound, establishing a distinct voice of expression that resonates with listeners worldwide.
TF3’s longstanding history of collaboration with contemporary classical composers continues to thrive. They have worked closely with esteemed artists such as Chris Brubeck and Pulitzer Prize winners William Bolcom and Jennifer Higdon. Their most recent commission, Contact, composed by Pulitzer Prize winner Kevin Puts, premiered with the San Francisco Symphony and The Philadelphia Orchestra in the summer of 2022. This extraordinary piece, alongside Jennifer Higdon’s Concerto 4-3, was released on Deutsche Grammophon under the album title Letters for the Future. Conducted by Xian Zhang, the album’s exceptional quality propelled it onto the Billboard top 10 Classical Recordings charts. Additionally, it garnered a nomination for an Opus Klassik award and received a Grammy win in the Best Classical Instrumental Solo category.
Renowned for their charismatic and energetic performances, TF3 has garnered praise from respected outlets including NPR, NBC, The Wall Street Journal, and the Chicago Sun-Times. They have graced illustrious stages such as Carnegie Hall, The Kennedy Center, and The Royal Albert Hall, effortlessly adapting their inimitable and versatile style to intimate venues like Joe’s Pub in New York or Yoshi’s in San Francisco. TF3 was featured on the acclaimed “Night of the Proms” tour, sharing stages with renowned artists like Chaka Khan and Ronan Keating across several European countries. Their collaborations span a diverse range of artists, including Ben Folds, Branford Marsalis, Joshua Bell, Aoife O’Donovan, Natasha Bedingfield, and Arlo Guthrie.
TF3’s exceptional talents have not only earned them a Grammy win but also secured them an Emmy for their concert special, “Time For Three In Concert,” produced by PBS. Their appetite for new experiences led them to collaborate with cellist and composer Ben Sollee, creating the soundtrack for Focus Features’ film Land, directed by Robin Wright. Premiering at the Sundance Film Festival in January 2021. TF3 has teamed up with Grammy-winning songwriter Liz Rose and Grammy-winning producer Femke Weidema for new recordings released through Warner Music. They have also contributed to Summer Walker’s R&B hit, Constant Bullsxxt, showcasing their versatility across genres.
Time For Three’s artistic achievements, fueled by their relentless pursuit of musical excellence, have solidified their status as a remarkable ensemble. Their Grammy win and extraordinary collaborations speak to their unwavering dedication to pushing creative boundaries and captivating audiences with their exceptional talent.
Pulitzer Prize and Grammy®-winning composer Kevin Puts has established himself as one of America’s leading composers, gaining international acclaim for his “plush, propulsive” music (The New York Times), and described by Opera News as “a master polystylist.” He has been commissioned and performed by leading organizations around the world, including the Metropolitan Opera, Philadelphia Orchestra, Carnegie Hall, Opera Philadelphia, Minnesota Opera, and many more, and has collaborated with world-class artists such as Renée Fleming, Yo-Yo Ma, Yannick Nezet-Seguin, and Marin Alsop, among others.
In March 2022 Puts’ fourth opera, The Hours had its world premiere on the concert stage by the Philadelphia Orchestra under the baton of Yannick Nezet-Seguin, and was hailed as a “historic event … with a lush orchestration that hits you in the solar plexus.” (The Philadelphia Inquirer). The Hours premiered to sold-out houses as a fully staged production at the Metropolitan Opera in November 2022 starring sopranos Renée Fleming, Kelli O’Hara and mezzo-soprano Joyce DiDonato and was called “a stunning triumph” by Variety Magazine. Other highlights of 2022 included the west-coast premiere of The Brightness of Light featuring Renée Fleming and Rod Gilfry with the Los Angeles Opera Orchestra. Written for Time for Three, his triple concerto Contact had its world-premiere in March 2022 with the Florida Orchestra and continues to receive additional performances by the Philadelphia Orchestra, San Francisco Symphony, Sun Valley Music Festival and many others. A recording of the piece by the Philadelphia Orchestra and Xian Zhang, conductor was released on the Deutsche Grammophon album “Letters for the Future” and was awarded “Best Contemporary Classical Composition” at the 2023 Grammy® Awards.
Puts’ breakthrough opera Silent Night – for which he was awarded the 2012 Pulitzer Prize following its 2011 premiere by Minnesota Opera – has been heralded as “remarkable” (The New York Times) and “stunning” (Twin Cities Examiner). In addition to the Pulitzer Prize, Mr. Puts has received numerous honors and awards for composition. Since 2006, he has been a member of the Composition Faculty at the Peabody Institute, and currently is the Director of the Minnesota Orchestra Composer’s Institute.
[Pronunciation of Kevin’s name is exactly like the verb: “he puts the plate on the table”]