Home Is Where the Art Is
Young Artist Series, Julian Rhee music and story
Our second “Young Artist Series” story that is part of our “Home Is Where the Art Is” collection features Julian Rhee, winner of The Finale Forte 2017. Julian begins with a lovely two minute performance of Méditation from Thaïs by Massenet, and finishes with a four minute excerpt from the second movement of Mendelssohn’s Violin Concerto following an interview. Watch for more stories brilliant young artists shared with us in the coming weeks.
Young Artist Series, Michael Wu music and story
We’re excited to share stories brilliant young artists shared with us from their homes this summer. The first in this series features Bolz Young Artist Competition participant Michael Wu, winner of The Finale Forte 2020. Michael performs an arrangement by Grainger and shares insights about music and life. Enjoy our debut Young Artist Series story. We will be sharing more stories in the coming weeks!
Matthew Dahm — Violin
“There are so many special qualities of playing with the Madison Symphony and John DeMain. For all of us, playing in Overture Hall is of first importance… I think we all appreciate the warmth and clarity of sound in Overture Hall and the opportunities it affords the MSO.” In our latest #HomeWithArtists Musician Q&A, Violinist Matthew Dahm talks about how he’s adapting to virtual lessons and what he’s practicing at home.
Lisa Bressler — Cello
In our latest #HomeWithArtists Musician Q&A, Cellist Lisa Bressler talks about growing up in a musical family, what it’s like to prepare for the rehearsals and play with the Orchestra, a 2018 trip to Australia, and more.
Anthony Di Sanza — Principal Percussion
“Percussion serves a unique role in the symphony orchestra. As we often create sounds that supplement or ‘color’ the orchestration, we are very used to waiting extended periods until that perfect moment when our color contributes in impactful ways. It is very possible that we may only play a couple of notes in a piece or movement… our job is to be fully prepared for that one note.” Principal Percussionist Anthony Di Sanza talks about the process behind preparing for that one note — and the epiphany he had in 9th grade that led him to pursue a career in music — in our latest #HomeWithArtists Musician Q&A.
Cindy Cameron — Principal Bassoon
Did you know that most professional double reed musicians make their own reeds? Our Principal Bassoonist Cindy Cameron talks about this unique challenge — plus all the additional instruments she plays for fun, and how she’s been staying connected with colleagues from across the Orchestra — in our latest #HomeWithArtists Musician Q&A.
Jordan Allen — Cello
“I don’t think it was a choice that I had to make. When I first heard the sound of the cello, I knew it was a sound that I wanted to hear and/or make everyday.” Read our latest #HomeWithArtists Musician Q&A with Jordan Allen, who talks about how the cello came to be a part of his life and the teachers who inspired him along the way.
Greg Smith — Bass Clarinet
Bass Clarinetist Greg Smith has been performing with the MSO since 1975! In our latest #HomeWithArtists Musician Q&A, he shares insights into rehearsing and performing with the Symphony — and how he’s been connecting with his neighbors through Friday Fish Fry over the past months!
Johanna Wienholts — Principal Harp
In our latest #HomeWithArtists Musician Q&A, Principal Harpist Johanna Wienholts talks about what makes the pedals of the harp so unique — and what she focuses on during rehearsal as a section of one, from counting for entire movements to finding balance between the high and low registers of the instrument.
Derek Handley — Cello
“The MSO is, simply put, a world class organization. And the city of Madison is so blessed to have an orchestra with so many outreach programs and talented musicians.” Derek Handley, cello, has been performing with the Madison Symphony since 2013. Learn more about what he enjoys doing in his free time, and what he’s watching and listening to these days, in our latest #HomeWithArtist Q&A.
Rick Morgan — Percussion
Have you ever thought about how the percussion section of an orchestra prepares for performances? It’s not simply practicing cues — it’s a process that involves making judgment calls about composer notes, choreographing movements between instruments, and a trial and error of sound that sometimes can’t be resolved until rehearsals with the full orchestra. In our latest #homewithartists Musician Q&A, Rick Morgan tells all.
Chris Dozoryst — Principal Viola
“I am a die-hard road tripper and fitness enthusiast. While travel is completely on hold for the time being, I still start the day with a five mile run.” Read more from Chris — including how homeschooling his son and daughter is going, and how he’s been practicing — in the latest addition to our #homewithartists story series.
Carl Davick — Bass
From washing hands to Strauss, virtual lesson plans and collaborating with his students to create lyrics for a new song “Covid Blues” he wrote, Bassist Carl Davick reflects upon what he’s doing now, to the joy of making music with friends in the Madison Symphony Orchestra, and his love of playing music for audiences.
Stephanie Jutt — Principal Flute
“I loved the sound of the flute from the very beginning and couldn’t wait until I was old enough to start learning to play.” Read more from Stephanie — including how she prepares for rehearsals and what shows she’s watching these days — in the latest addition to our #homewithartists story series.
Olga Pomolova — Violin
Violinist Olga Pomolova expresses how she feels about being a musician in the Madison Symphony Orchestra and playing music together, with her friends. She also shares what she’s doing with her time now, including learning Italian!
Marc Fink — Principal Oboe
Marc Fink shares reflections of his 32-years with the Madison Symphony Orchestra and recent experiences during this time, beginning with the orchestra in 1973.
John DeMain — Music Director
Madison Symphony Orchestra Maestro John DeMain shares performances of Brahms Intermezzos and thoughts of music, the orchestra — “what we live for” . . . “that collective response” . . . and why people find live classical music food for the soul.
Katrin Talbot — Assistant Principal Viola
Katrin Talbot shares four poems that express a range of feelings she is experiencing about what music means — from emotions about missing playing with her colleagues and moments of dissonance — to the hope of gathering again to share live performances with our audiences.